Maybe it is just me, but I feel like a novel — specifically way someone writes and phrases things reflect so much about who they are as a person. It could be the way a writer uses a particular word over and over again. Or the way that he simply limits a visual description to a sentence-long summary. A writer’s way of writing means more than just stylistic means of delivering an idea. It is a peek into his thoughts and preferences. He could insist on overusing the same word in his works because he thinks that the word carries a symbolic meaning and wants to deliver a cause. Or maybe because he just likes that word. He could also reduce his descriptions to a minimum because sometimes the lack of language forces you to imagine beyond the spectrums of the sentence. It sometimes is true, though personally I like it otherwise.
As for myself, I like crafting the protagonist’s thought process very intricately. Like stream-of-consciousness kind of intricacy. Because very often I derive my ideas from my very surroundings and develop my characters based on the details I observe around me. For example, one of the characters of my recent novel enjoys watching volleyball games. I added that detail because my dad used to be in a volleyball team. From what I’ve heard he was very, very good at it. (And it made me happy that he noticed it while reading my novel) I give my characters attributes I happen to notice from reality and sometimes what I write feels so real that it feels as if I live in it. I end up projecting myself onto the character’s self, and speaking through the narrative persona.
You could say that sometimes it is hard to keep a neutral distance from fiction and reality. Especially so if you see and feel things through the things you craft within your writing. I’ve had a very uncanny experience when I was having a meeting with my editor and a poet from the same publisher — she told me that I reminded her of one of the main characters in my novel, and the poet agreed. They said that I had similar vibes. I’ve built my narrative world so closely to my own experiences and thoughts that it turned out to be inseparable to my real self. So maybe it’s true that what you write is like a mirror that exposes who you are as a person.
The only demarcation between a fiction and reality then is just my persona that has the ability to decide which is which. I could probably frame a real anecdote into my so-called novel and call that a fiction. It could be fiction in the end — whoever reads that would think that the anecdote exists to suit the characters’ needs or to drive the narrative forward. It’s ultimately reduced to a narrative tool then. There is an element of omnipotence as a writer that you can wield any sort of information into a story. A story. A fiction. An un-reality. No matter what happens in that novel and how people read and think about it, only I’ll know that wasn’t actually just a story. It lives and breathes. But it wouldn’t matter, would it?
Because sometimes reality is just as fictional, in that it is unimaginable and unrealistic — in whatever sense that may be. Reality can be just as cruel. Even more so because in real life, unlike our novels, don’t often have very satisfactory endings. Or let alone have one to begin with. There is no rising action, conflict, resolution type of conveniency. Sometimes a story just ends there. And it is the character’s responsibility to deal with the unresolved thoughts and feelings that results from the incomplete story. There is no one at fault — the story just can’t continue. It just sucks that way. I think writing is a coping mechanism. The writer’s authority comes in favorable here. We can give unended, dead ends a nice clean closure, even that may not be absolutely true. But if everyone believes it, I guess it can come true.